Medieval world reflected in Japanese literature: examples of changes an

As with most societies, as time progresses there will always be many changes. Likewise, as Japan moved into the medieval period there would be changes, specific eachy in round noticeable changes that atomic number 18 found in the literature. In looking at how prose and poetry was affected during this time, it should be noted that in many ways the literature of the period was made as a method of awardinging the old literature and craping beyond it. An modelling can be seen in the poems of Shinkokinsh, and in drawing from Kokinsh, Shinkokin waka sh is a parvenue Collection of Poems Ancient and Modern (Handout 10). That being said, Shinkokinsh was compiled exactly 300 days after Kokinsh was originally compiled, therefore making Shinkokinsh an anniversary collection that would besides be inspired by the original flora. Shinkokinsh shows within it there are parts that draw a lot from the past, while there are in addition works from the modern time period. As for prose, there g ull been some changes in language that can be seen between some examples. Descriptions of residencies and everyday life will always vary from person to person, as it is seen in The Pillow Book by Sei Shnagon with its decriptions of life in the lofty court and the very different An Account of My Hut by Kamo no Chmei and its description of a very different world as seen by the humble Buddhist monk. The two accounts were also written around 200 years apart, which allows for there to be some significant societal changes to be seen between the writings, in addition to the difference in the lifestyles of the of the single authors. These examples are just a small representation of the changes that occurred in Nipponese literature, particularly poetry and prose during the medieval period, ... ...s that both have as they build upon the previous works from earlier times. The very obvious example is Kokinsh and Shinkokinsh and their connections. in that respect are many aspects of the wo rks that are similar, and quite possibly the same, only there are the innovations and changes that are very noticeable in these works as there is progression through time. The most notable innovation, which is also seen in the zuhitsus, is the changes in structure. The best examples are the use of the x-no-y-no-z pattern and taigendome as found in Shinkokinsh as they stand out very clear and the coherent and broken into groups and sections in the structure between the two zuhitsus. With all art forms, there will be changes and innovations as they evolve. While they in the end not resemble their predecessors, they will represent the survival of the art and honor it in its own way.