Art Philosophy - Plato Essay Example | Topics and Well Written Essays - 1250 words

Art Philosophy - Plato - Essay Example In short, Plato argues the fact that a proper speech, or rhetorical work of literature, must necessarily work together as a creature and is body parts all work together. Plato discusses this as the head of the creature leading into the body which is been supported by a series of appendages. Although this is necessarily a reduction with regards to the way in which a proper outline should help to support core arguments that the author seeks to make, it is nonetheless a useful way of helping to provide a metaphor with regards to the entire writing process. Although many writers seeking merely right from the top of their head without any clear indication of where their work is going or how they assume it should include, Plato is obviously of the mindset that a work of literature and/or speechmaking must rely upon the core fundamentals of the outlining approach that the illustrates and discusses. This should not be seen as odd due to the fact that none of Plato’s works, or the work s of his contemporaries, were done in haste. Rather, they were thoughtfully analyzed, put together within an effective shell and presented to the viewing/listening/reading audience. Within such a way, seeking to abide by the very same rules of conduct and approach that Plato specified has a definitive level of benefit for the writer or artist within the current era. Although the outlining process may seem as something of a laborious one that is not necessitated by an accomplished writer, the mere fact that Plato himself referenced the outlining process as something of such a great importance helps to underscore the fact that even a writer of the highest order and/or one that is most certainly a genius is still not good enough to compose any of their arguments and/or works off the top of their head. 2. Plato's view on writing is related to his views on art, especially literature. Discuss Plato's views on art, and also mention the dialogue in which these views are discussed. Although the preceding analysis might be viewed as somewhat formulaic, it should not be understood that Plato’s view on writing is ultimately related to a step-by-step recipe of how such a process should be affected. Whereas it is oftentimes understood that the mastery of any subject or art can effectively be accomplished merely by following something of a recipe for success, the fact of the matter is that many exhibitions of human knowledge are more of an art form than they are merely the combination of a certain recipe of component facts and information. In this way, Plato’s â€Å"Phaedrus† illustrates the way in which Plato had an alternative view with regards to the process of writing and how he expected the divination of art as a simple step-by-step process through which the individual merely followed rote memorization in order to achieve a given function. In this way, Plato advocates rather than following something of a script to achieve effective dialogue, it is n ecessary to appreciate core tenets of what it means to be human. These, according to Plato, include the following: an understanding of madness, divine inspiration, and the practice and mastery of art. Although this may seem as a nebulous answer to the question above, the fact of the matter is that rather than championing a formulaic approach, Plato